Kedamangalam Sadanandan - Revolutionising the art form of Kathaprasangam

Kedamangalam Sadananda, passes away leaving behind him a rich legacy of artistic tradition.

He was a doyen of one of the most popular revolutionising folk art of Kerala-Kathaprasangam-the art form of story telling . One cannot help remembering the glorious era of this art form

and the immense influence it had on the mind of an ordinary Malayalis.Satyadevan,M P Manmadan, K K Vadyar, P C Abraham, Joseph Kaimamparamban and V Sambasivan have all been famous proponents of this art form. Kathaprasangam had been an integral part of ancient Indian socio-religious gatherings and the themes were borrowed from epics, the Puranas and Hindu religious mythology. But its popularity rose in the 19 th and 20th century and Renaissance and socio-religious reform movements in Kerala society used it as a medium of educating the people the need of social economical reforms in Kerala society. It served as an unofficial medium for educating the people and voicing against social inequalities Works with a social message and of writers such as Shakespeare (Romeo and Juliet), Ibsen, Tolstoy

(Anna Karanina), Dostoyevsky, Victor Hugo and many reformist Malayali writers, such as Asan, Vallatol and Ulloor have been adapted to form the tales expounded through Kathaprasangam. Kedamangalam also belonged to this category.He began his career in 1944 at the age of twenty performing on of Chengampuzha Krishnan Pillai's popular poem ''Vazhyakula'',a poem which picturises the pathetic plight of a 'kudian' or a tenant and the cruel oppression of the the 'Janmi"Two novels, Chandalabhikshuki and Karuna were favorites which enumerates the sad plight of the untouchables.Kedamangalam infact immortalised Chenganpuzha's 'Ramanan' a love

poem which he presented at almost 3476 stages. These artists were able to popularise socialist

ideologies that was prevalent in Europe even among the uneducated masses of India.The whole

hearted support that was rendered by social reformers like Sree Narayana Guru speaks of

the immense popularity of this art form among the masses.Kathaprasangam had similarities with other forms of art like Patakam, Harikatha but each had its own distinctive form of expressions. While Patakam is Kerala’s version of Purana Pravachana i.e. rendition of the Sanskrit Puranas in Malayalam to reach out to the common man, Harikatha is a direct
influence of the Tanjore style of Kathakalakshepam. but both had a religious character and its

audience was exclusively Hindus. In Kathaprasangam, the performer or artist uses Malayalam literary texts and pieces, high in satire and criticism to entertain the audience

with the tales having a high emotional contentand also to drive home the lesson of social changes.

The simple language used and the musical reiteration has appealed the common man led to the

spectacular popularity of this art form.

New Finds- A Pre-Incan Gold Necklace

A 4000 year old gold artifact was found from Lake Titicaca Basin,Southern Peru and the burial

date is estimated to be 3776 to 3690 carbon 14 years before the present(2155-1936 calender year BC) The findings were the efforts of a team of Anthropologist led by Mark Aldenderfer,Department of Anthropology University of Arizona ,Tuscon(Proceedings of The National Academy of Sciences of United States of America[PNAS] 4 April,2008)

The finding the gold artifact is considered to be one of the earliest worked gold not only in Andes but America as well. The necklace was found in a burial were human remains were found of an adult and a juvenile (between the age of 6-8).But the bones were friable and eroded

condition and it is not possible to determine sex nor the exact date using carbon dating techniques.The necklace consists of nine gold beads and eleven circular beads

of a course green stone(possibly soda lite).According to the Anthropologist ''gold from Jiskairumoko in a terminal Archaic context provides new insight into the emergence

of Andean metal-working and supports the concept of the early appearance of multiple,independent metal- working technologies focused in native materials especially gold.''

Excavations reveal a river valley settlement. Five pit houses have been discovered and are arranged in circular pattern and storage alcoves within each of these structures had a total capacity of 130 to 150 Lt's indicating long term residence in the area.There are also indication

of remodelling and repair of the pit houses from time to time.The site shows multiple occupation from late Archaic to early formative period(3600 to 1500 cal yrs BC).The burial that contained gold was recovered from a small pit,circular in plan and one meter away from these pit house structures.Gold findings in the civilisation is a feasible pointer towards the fact that there was

sufficient accumulating wealth and agricultural surpluses.

The Grandeur of Ellora

Ellora locally known as 'Verul Leni' is an impressive temple complex
and the finest example of cave architecture in India.It reflects the rich
artistic legacy of India.It is hewn out of the volcanic basaltic formation
of Maharastra,the Deccan Trap.Ellora is historically important as a
strategic stronghold of the Satavahana Dynasty and is located in the
ancient trade route connecting western ports of Arabian sea to Sopana.
Ellora caves symbolises three major religions of the world-Hinduism,
Buddism and Jainism.Of the 34 monastries and temples inside this
cave complex(5-11C AD) twelve belong to Mahayana
Buddhism(500-750AD),seventeen Hindu temples(600-850Ad)
and five caves belonging to the Jains(800-1000AD).The Buddhist
caves are mostly Viharas or monastries(cave 1-9) and the rest
have adjoined Chitya halls or prayer halls.These caves are known
for their elaborate facade and intricately carved interior.Cave 10
or the Visvakarma cave is note worthy for its cealing with wooden
beam impression(Earliest cave temples of Kanheri,Badami etc.,were
caves accompained with wooden structres but got soon destroyed so
stone began to be widely used retaining the elements of
wooden construction).Of the Hindu temples cave 16 the Kailash

Temple is a free standing multi-storied temple complex of single rock.

It has the largest cantilevered rock cealing in the world.It was build by the
Rastrakuda king Krishna 1 (757-773 AD) in the model of the
Virupaksha Temple Pattadakal.The Sikhara (curved Dome),
the typical feature of North Indian architecture is absent. The
influence of south Indian articeture is seen in the pyramidical
dome(the typical feature of S Indian temples is that it looks like
a Pyramid with its top cut off) proves it to be a splendid achievement
of Dravidian art.The major patrons of the Jain temples were the Yadavas
It is not so large as the earlier ones.The reason for this was owing to the
Jain tradition of asceticism.,but it is noteworthy for its exceptionally
detailed art work.Cave no 32 also called the Indra Sabha can be called
a miniature of of the Kaliash temple is know for its intricate desingns
and sculpture(lotus cealing and Yakshni seated on lion)Architectural
contribution of the Budhist was tremendous.They were the

first to introduce structural temples in non-perishable meterials(stone)

inspite of their being against image worship.Budha assumed divine

powers as a avatara under Mahayana Buddhism . With the fall of

Budhism many of these structures and its architectural

tradition( including Ellora )was taken up by Hinduism and many

were converted to Hindu shrines

Kaviyoor Trikkudi Cave Temple

Bio speleological research is still in infancy in India,where there are thousands of caves dotted all over the land.Most of the caves in India has religious scarcity attached to it.But when compared to the rest of India there are only a few specimens of cave architecture in Kerala belonging to the earliest phase .These temples was no doubt influenced by Buddhism who were the originators of cave architecture in India and the Pallavas who transmitted the art form to the Kerala. Kaviyoor Trikkudi Cave Temple on the banks of the river Manimala in Pattanamthitta District of South Kerala is one of the earliest specimen of rock cut cave temples in Kerala.Almost all early cave temple are dedicated to Lord Shiva.The Kaviyoor temple consists of a pillared facade ,

ardhamandapa and a shrine room consisting of a three feet high Sivalinga.The

pillared facade as well as on the walls inside the ardha-mandapa has sculptured

reliefs of the donor,a bearded rishi,a seated four armed Ganesha and dwarapalakas.

Unlike the rest of India the transition of rock cut architecture to

structural temples could not be clearly demarcated in Kerala.This rock cut

temple is presumed to have come into existence even before the Cheras or

the Ays kingdom.The Kaviyoor shasanams of 950AD is a historical document

regarding the temple.It temple no doubt is an exposition of the rich cultural

heritage of Kerala and reflects the technical capabilities and artistic excellence.

Worship of the Sun God

The origin of Sun worship is several centuries old. The worship of the sun as a source of inexhustible energy was part of all ancient civilisations.'Sol' of German mythology ,Vedic 'Surya' ,Greek 'Helios'or 'Apollo',Mesopotamian 'Samash' the Sun Goddess

Amaterasu' of the Japanese all show the importance of the Sun God in ancient civilisations.In ancient Iran also there is reference to Sun worship and Magha priests were invited to India for religious purposes.The vedic scriptures refers to the Sun as the store house of inexhaustible

energy and radiance and sustainer of all life on earth. Vedic Surya symbolises enlightened mind and creative intelligence -the divine creator and transformer. The 'Gayathri Mantra' in the vedas the 'Surya Satakam' (of poet Mayura) are all written in praise of the Sun God

There are a number of Sun temples in India and the most famous are the Sun Temple ,Konarak,Dakshnineshwar Temple Suryanaar Koyil, Umao Temple,Modhera Sun Temple in Gujarat

Sun Temple -Konarak

The famous Black Pagoda(the temple on wheels) is one of the finest examples of India's architectural grandure and plastic allegiance.It was build by the Ganga King

Narasimha Deva in 1278 AD.The colossal chariot temple is magnificient even in its ruined state.The mythological representation of the Sun driving a chariot dates back to

the second millienium BC .Trundholm Sun chariot of the Nordic diety 'Sol",Greek Helios,Sol Invictus depicted in Roman coins and the vedic Surya are classic examples The architectural style of the temple belongs to the Kalinga school of architecture (north Indian) which is noted for its curvilinear tower mounted by the cupolas.The sculptures are erotic and are presented

in tableaux form as well as free standing The sculptures shows a happy blend of heavenly and worldly depictions The sculptures at the entrance of the temple showing two lions crushing a war elephant(a symbol of Buddhism) thus depicting the triumph of Hinduism over Buddism.

The magnetic dome on the Garbhagriha is missing...what happened to the dome?.It is strangely mixed up with facts, legends and hearsay.Some attribute it to the abandonment

of work due to the arrogance of the king and yet others to engineering defects.Abul Fazal the official historian has seen it before its ruin and no reference was made of its incomplete state and neither the strong walls and basement of the temple speak of engineering

defects.Historical proofs are there of the worship of the diety and festivals and according to hindu tradition it would not house their diety in an unfinished temple. The magnetic dome according to some had caused ships to wreck and so it was taken away by muslim voyagers.

The sun temple is undoubtly the classic example of India's rich architural heritage

Stonehenge-Pre-historic Monument

Archaeologists have started to dig the pre-historic Stonehenge-

one of the most famous pre-historic sites of the world.

Dig will be led by Timothy Darvill ,a leading Stonehenge

scholar from the Bournemoth University and Geoffery

Wainwright,President of the society of Antiquaries

http://news.yahoo.com/s/ap/20080401/ap

In order to ascertain the date of the monument they have

decided the materials and utilise modern scientific

archeology and radio carbon dating

The monument has remained a puzzle as there is

no evidence as to when and why it was built.It is known

that they were constructed during the Neolithic period.

In south England the Neolithic period dates from the

development of the first Farming communities around

4000 BC.There are around 40,000 Megalithic sites in

British Isles .It was a site of pilgrimage for the Noe-

Druids and the neo pagans, According to the 17 Th C

belief it was associated to the Durids who used these

strange circles of rocks for religious and ritual purposes.

Human bones were recovered from beneath and it

is assumed that it might have been used as an altar

for performing human sacrifices.It is also referred

to as astronomical observatories.The arrangement is

in such a fashion that its axis is aligned towards

mid summer sunrise .It is supposed that the tribe

which installed it may have worshipped celestial

bodies like the sun ,moon and the stars.

The Stonehenge has three stages of evolution

There are evidence o show that it was originally

build of wood.Later it was replaced by the blue stones

(dolerite stones with a bluish tint)and in the third stage

with the enormous sarsen stones of today.According to

research the arch conducted by the above mentioned scholars

the original site of the blue rocks were in Preseli mountains

in South Wales 153 miles away from the site in Salisbury

It is believed that these rocks were brought to the site

approximately in 2600 BC.

Archaeologists recently discovered what appears to be the other
half of Stonehenge, illuminating what they believe is a much larger
Neolithic complex than has long been envisioned

.http://www.latimes.com/news/opinion/la-oe-childs16feb16,0,5843083.story?coll=la-opinion-center

Looking closely at Stonehenge and other Neolithic sites,

-the formative patterns of our modern world we find

certain similarities.Recently archaeologists have excavated

a Stonehenge in the Sahara dating back 6,000

years was the oldest in the world . A site in Turkey known

as Gobekli Tepe dates back more than 11,000 years. —
The new discovery, is an elaborate residential compound

Discoveries has brought to light a timber version of Stonehenge

and evidence of different kinds of occupations in the

4,600-year-old village and a processional "road" leading

to the nearby Avon River.Egyptian Stonehenge in the Sahara

dating back more than 6,000 years.-the oldest known

megalithic site in the world.

Martial Arts of South India

Martial Arts has an age long tradition of its own .Even though

it evolved from the primitive man with the simple desire

to defend himself from wild animals using a simple weapon-

in fact man's oldest weapon,the strict-it developed as a complex

art with the progress of civilisation.

South India had a rich tradition of martial arts which

had developed its distinctive characteristic qualities even

before the arrival of the Indo-Aryans.Silambam in Tamilnadu

the Kol Varasay of Karnataka,Kolu Attaa or Karadi Atta in

Andrapradesh,The Kalari in Kerala have all common or gin.

Silambam

Silambam is a martial art popular in Tamilnadu(ancient

art of staff fencing).Silambam was patronised by the Cholas,

Cheras,Pandyas and was popular even in north- east

Srilanka and Malayan Archipelago.It's birth place is believed

to be in Kurinji Hills in Kerala, much before the coming
of the Indo-Aryans in North India.The natives
of Kurinji malai, used bamboo stave's to
defend themselves against wild animals .Kurinji was a part
of Tamilakam during the Sangam Age and slowly it
was adopted as a warfare technique and received royal patronage
during the Sangam age.Shilapadikaram(Tamil Sangam
Literary work) of the second century AD, refers to the sale
of Silambam stave's,swords,armours etc,. to the Romans
Egyptians and the Greeks during the Sangam age.

The ancient trading center of Madurai had prosperous sea trade and
Silambam staffs were of great demand in foreign countries.
Silambam was extensively used by the Maravar pada,(a particular
caste in Tamilnadu who were employed by the king of Travancore)
a contingent of the Travancore army.Silambam and Kalaripayyattu
of Kerala enjoyed certain similar characteristics as both worshipped Sage
Agasthya, as the creator of their respective art forms.Silambam
has more resemblance with northern Kalari .The Southern or the Thekkan
Kalari ,gives more emphasis to fight with empty hands and simple strikes.
But Tekkan kalari gives importance to 'Marma' or vital striking
points which is similar to Silambam.Folk dance of Silambattam
(worship dance in front of Goddess Shakti)resembles Silambam
in its foot and hand movements.

Silambam lost prominence during the British times as they
banned the practise of warfare and martial art forms of any kind.
Many local chieftains had used this against the British,

like Veerapandai Kattabomman(1760-1799)of Panchalankurichi.
He opposed the East India Company's tyranny openly and
waged a lone war against the British and was finally captured
and hanged to death(one of the first martyrs to be hanged
by the British)

Silambam is also believed to have travelled from the Tamil
country to Malaysia.It became part of the Malayan
Archipelago and evolved as a distinctive martial art form
called 'Silat'.Tradition says that the Kingdom of Srivajaya
(7 Th -14 Th C) in Sumatra and kingdom of Majapahit in
Java(13-16 Th C) made use of this fighting skill.The Indian influence
can be markedly seen in the use of weapons like Trisula(forked
truncheon) and the famous grappling styles.Later during the
period of the Dutch rule, Silat was practised underground
until the country gained independence in 1949.